Posts Tagged ‘Resistance’

• Three Writers Who Dare! How Dare We! Write a multicultural creative writing discourse)

  Date: 2017.06.19 | Category: How Dare We! Write a multicultural creative writing discourse, Writers Who Dare | Response: 2

  “Sagirah Shahid is a Minneapolis, Minnesota based poet. Known for her dynamic storytelling abilities, her writing often reflects upon her upbringing as an African American Muslim woman. She has received awards for her writing from the Jerome Foundation, the Loft Literary Center, the Minnesota State Arts Board, and the National Endowment for the Arts.”   https://sagirahshahid.com/

  Follow Sagirah on twitter @SagirahS

   

   

  SAYMOUKDA DUANGPHOUXAY VONGSAY

  https://www.saymoukdatherefugenius.com/welcome

  https://www.saymoukdatherefugenius.com/pics-and-vids

  William S. Yellowrobe, Jr.

  https://www.arts.gov/art-works/2014/art-talk-william-s-yellow-robe-jr http://www.amerinda.org/naar/yellowrobe/playwright/playwright.htm

  http://kfai.org/news/2016/04/54675

• 6/6/2017 Play For Me

  Date: 2017.06.13 | Category: How Dare We! Write a multicultural creative writing discourse, Writers Who Dare | Response: 0

  Brenda Bell Brown, host of KFAI “Play for Me” and contributor to How Dare We! Write a multicultural creative writing discourse, presents Writers Who Dare as they celebrate the book’s publication.

  Take a listen!

  http://kfai.org/play-for-me/playlists/20170606

• Excerpt from How Dare We! Write

  Date: 2017.03.23 | Category: Writers Who Dare | Response: 0

  “The tinikling offers a visual explanation of how bilingual writing
  works. Like the agile dancing feet of a tinikling dancer, a bilingual
  writer’s mind is connected to her feet at all times, transferring and
  translating the beat of clapping bamboos from a hearing experience to
  a whole body experience. Living in a predominantly English-speaking
  culture means you cannot stop to think or even attempt to explain
  your actions and your meanings, or you will lose track of the dominant
  beat and find yourself caught in the thorns of misunderstanding. I can’t
  help but relate this to the spate of recent attacks on black bodies we
  have witnessed. There is never time to explain your black skin or your
  brown skin to someone intent on eradicating your black or brown
  body because he or she feels threatened by the mere sight of you. You
  have to keep dancing between the clapping bamboos of race
  perception. Those who tried, hands up or not, have ended in tragedy.
  Is this a far-fetched metaphor? If it is to you, you’ve never had to
  dance/write between bamboos.”–Marlina Gonzalez, How Dare We! Write

• Excerpt from How Dare We! Write

  Date: 2017.03.23 | Category: How Dare We! Write a multicultural creative writing discourse | Response: 0

  “I would add that many programs do not even offer courses dealing
  with race and writing as an elective. I didn’t know such a thing existed.
  Over the duration of my program, my writing became less race conscious
  instead of more. Sure everything thing I do and say leaves the
  mark of blackness behind. However, instead of drawing a circle around
  the mark, expanding it, aiming the camera directly at it, I placed
  translucent covering over it, not completely hiding race, but placing it
  in the background. Without knowing it, I was learning to write like a
  white woman because I must have believed that they knew what they
  were doing. They were award-winning authors. They were where I
  wanted to be. They were my teachers.”–Sherrie Fernandez-Williams, How Dare We! Write