Check out “the women in my life” and “sisters of change”–by Chuayi, a participant in our “Women Writing About Women” workshop, 2/20/2010!  Here’s the link to her blog site:  http://penningmylife.blogspot.com/

Sherry

Posted by Sherry - 25/02/10 - 0 comments

 

AFTER THE WRITING

 

Why do we write?  Or, if you’re thinking about writing, what blessings may blossom from your words? (I like to think of flowers this time of year.  I received a gift of rose s on Valentine’s Day.  They are now wilted and need to be discarded.  My colleague, though, has pastel tulips in her office where I can occasionally see them, and utter, ahhhhhhhhh.  This is Minnesota and the prospect of spring is certainly on my mind.)

How can we conjure the prospect of mysterious and perhaps magical happenstance (sometimes I use words I don’t know out of spite for the time someone shamed me for using a particular word wrong, in hopes I might be right this time) because we are writers?  For me, writing has brought me family, and friends, and a whole lot of lovin’—okay, I’m still “Imagining Love”—the lover and the lovin’ not yet a combo, but love is in the air (funny how many clichés are associated with spring).

I’m struggling here to get started.  Sometimes a writer has to write a whole lot of pages before clarity rears its beautiful face.  As I ramble along before I get to the aha! you will understand what I mean by this.  There’s so much I want to say right now.  I want to talk about the recent workshop I taught with Lori, but I also want to talk about a relative I didn’t know I had, who found me by Googling me, having gotten my name from her mother, who happened to have my first chap book, A LITTLE MIXED UP, published by Guild Press in the early 80’s.  (Another aside, did you know many of those little chap books published just a couple of decades ago, can be found online for big bucks! ?  Amazing!  And wonderful.  All those out of print works of art, rediscovered and sold online by speculators. )

I want to talk about beyond writing, if that makes any sense.  I earned an MFA in Creative Writing just to prove I was smart enough to get an education.  I was, though it was hard work because I didn’t really have the education I needed to continue to advance my education.  In other words, I was brought up in a family of five, on welfare and silence (more than I want to get into here).  I didn’t understand about class or race or gender when I was growing up, but looking back I know how much all of that stuff played a part in who I am today.  Not only did I not know how to eat steak, so the first time a date took me out for a steak dinner, part of the steak went flying as I tried to manipulate it with my knife and fork, but I didn’t know words, or the few I did know I didn’t know how to manipulate them to show I was from a different “class” than I was, but even if I had, can you really upgrade from the class you were born in (another discussion entirely).

I believe everyone should write and can.  And I believe writing should be shared.  Sharing is easy today in today’s world of the internet:  social networks, Google, Web sites, instant messaging, etc. (I say etc. because truly I am not Web savvy and it may be another lifetime before I have any desire to be a computer geek).  But first, before the internet, I started sharing my work in small group writing workshops.  This built small communities of writers.  Each of us writers belonged to other communities.  Friendships and networking happened.  Eventually I taught my own workshops.  Friendships and networking happened.  My first workshop was taught in my neighborhood coffee shop.  No students had enrolled, so I became super salesperson before I became teacher.  The class eventually consisted of a husband, close friends, and others I had never met.  Of those participants, I am still in contact with several of them, even the husband who became an ex-husband (not  an ex because of the workshop).  I became mentor to a couple of the participants.  Lori was one of the participants who I reconnected with a few years after the workshop . We now collaborate, performing our work and teaching.  What I’m trying to say here is that writing is more than (okay can be more than) writing.

Because I have been writing since the early 80’s and have had some poems published here and there, I have a Web site and I have this blog site and I’m on other sites and sometimes there may be an announcement or a book review here or there that lands on the internet.    I’m saying, you can Google me (I certainly have) and if you want to connect with me in cyber space, you probably can.  In fact, because of the internet a cousin found me, and recently a second cousin who lives in Texas found me because of my first little chapbook, and Googling my name on the internet.  This is what I’m trying to say.  I don’t confess to being the best writer in the world, my last royalty check was in the negative (that will change as soon as I retire and have time to market my books, really Victor, I promise). But,  I write about identity because there is no one in the world like me, just as there is no one in the world like you.  We have our own identity, our own stories.  And guess what, if we take the process of writing beyond the process of writing and enter the process of after the writing someone might notice.  Someone might notice (don’t hold your breath for million dollar book deal or a world book tour), but someone might notice you , who may be a long lost relative, or just someone interested in your writing,  or interested in writing in general–and that someone may become part of your life for awhile or for a lifetime.  That’s the aha! (Or they may want to hire you to be a writing mentor, or may want to subscribe to your blog, or they may want to register for one of your workshops.)

I write on my lunch hour, sometimes, like now.  I don’t have time to re-vision or revise (I do take time for a quick run through for typos, though I still might not catch them all, no apologies).  But, that’s okay.  You get a chance to witness a rough draft, lol (laugh out loud, I thought this meant lots of love and couldn’t figure out why a particular person sent me lol) and I get to send another something into the cyber world and hope that somehow somewhere my writing makes connections for me or for you.

Lori and I recently taught a writing workshop for women about women.  We hope to teach it in Mankato, MN this spring.  This workshop was for writers and nonwriters alike.  We honored the women or a particular woman in our lives.  We honored grandmothers, mothers, sisters, and friends.  We viewed maps, and photographs, and journals and other things to help conjure the women we wanted to write about, even those we didn’t’ know we wanted to write about. Connections were made. 

It’s about the writing, but it’s also about beyond the writing—after the writing.

Feel free to leave comments about your experiences with “after the writing.”

 

Sherry

2/23/2010lunchtime

Posted by Sherry - 23/02/10 - 2 comments

 

A Saturday Workshop for Women about Women

 

 

 

“There was a woman here who was loved.” Joy Harjo

 

 

February 20, 2010
10 a.m. to 4 p.m.


TRUE COLORS BOOKSTORE http://truecolorsbookstore.com/

  

SHARING OUR WOMEN’S STORIES: AN ORAL TRADITION will focus on stories of women in our lives. Stories of women in our families, and/or stories of women who have crossed our paths. Is there a particular woman you want to or need to write about?

This workshop is for writers and non-writers alike—everyone has stories!

Join Sherry Quan Lee and Lori Young-Williams for a lively and thought-provoking day of writing (letters, poems, and/or short narratives). We will use photos, maps, memorabilia, and history books. We will read stories by other women, as well as our own—stories recalled from great-grandmothers, grandmothers, mothers, sisters, aunts, and girlfriends.

This will be an engaging day of story sharing –written / visual / oral!!!

Cost for workshop: $40.00 plus a donation to True Colors bookstore of a used book or dvd. Please bring cash or check payment to the workshop. To register, e-mail Lori at youngwms@yahoo.com. Workshop limited to twelve participants.

Lori Young-Williams is a 41year old prose poet born in St. Paul. She comes from a working class family that believes in laughter, crying, and praying when times are good, bad or otherwise. Lori has one brother, one sister, and another sister who passed away when she was 14. She received her degree in Human Relationships with an emphasis in
family relationships at the University of Minnesota, 1992. Lori works a 9-5 job in Human Resources and Finance, but her passion is her writing. Most of her poetry is about her family—family relationships and how they impact her life. She has been published in Interrace magazine, the Turtle River Press, the National Library of Poetry, Quill Books, Dust & Fire and other anthologies. Also, she has self- published two chapbooks. She has read in various bookstores, coffee shops, and spoken word events in the Twin Cities. Lori recently was accepted as a participant for the Givens Black Writers Retreat, with
Sonja Sanchez and Carolyn Holbrook. She is currently working on her Master’s Thesis through the Master of Liberal Studies program at the University of Minnesota. She has studied with Rose Brewer, Carolyn Holbrook, Sherry Quan Lee, and others.
http://blog.lib.umn.edu/leexx065/writingmulticulturalidentity/

Sherry Quan Lee approaches writing as a community resource and as culturally based art of an ordinary everyday practical aesthetic. Quan Lee taught Creative Writing at Metropolitan State University for ten years, and continues to teach community workshops such as Stories that Save Lives, and Bookmaking. Currently she is a Program Associate for the Split Rock Arts Program Summer Workshops and Seasonal Retreats at the University of Minnesota. She has done consulting for SASE: The Write Place, a community based literary organization. She was a selected participant for the Loft Literary Center’s Asian Pacific Inroads Program, and in 2000 she was the mentor for that program. She was a selected participant for the Asian American Renaissance’s (AAR) Writers’ Block Program to mentor youth. She edited several of AAR’s annual journals, and curated AAR cabarets. Quan Lee was a selected participant for the first Cave Canem retreat for Black Poets in Esopus, New York. She earned an AA degree at North Hennepin Community College (has since been honored as a Distinguished Alumni), and a BA and MFA at the University of Minnesota. Quan Lee has edited Body of Stories, the fifth journal of the Asian American Renaissance, and Spirits, Myths and Dreams: Stories in Transit, the fourth journal of the Asian American Renaissance; as well as, I Am Who You Fear I Am, poems by Deborah Kelly, (distributed by Kitchen Table Women of Color Press) Corn Songs, poems by Virginia Allery (Turtle Mountain Reservation), and Chromosomes and Genes: an interracial anthology, (Guild Press, 1980’s). Quan Lee is the author of A Little Mixed Up, Guild Press, 1982 (second printing), Chinese Blackbird, a memoir in verse, published 2002 by the Asian American Renaissance, republished 2008 by Loving Healing Press, and How to Write a Suicide Note: serial essays that saved a woman’s life, Loving Healing Press, 2008. http://www.SherryQuanLee.com
http://www.blog.sherryquanlee.com

Posted by Sherry - 01/02/10 - 0 comments